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As you walk into your high school football game on a Friday night, you
scan the crowd for your friends. Then you spot a familiar face; a man
dressed in fashions long past with a foam finger held high and school
pride beaming from every pore. There he stands, the super fan, the old
strange guy who never misses a game. Who is the man, this local pillar
of the game? What does he do? What makes him tick? and how long before
he is forced to move out of his mother's garage?
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A View from
the Mainland: January 27,
2009 |
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Tuesday, January 27, 2009 STAGE
SISTERS (Wutai jiemei) Although the film was completed well before the Cultural Revolution in 1966, it has been argued that in 1963 Jiang Qing, the wife of Mao Zedong and a former Shanghai actress, was responsible for banning STAGE SISTERS, not only because she may have deemed it counter-revolutionary, but allegedly to settle some old scores in Shanghai. Politics aside, STAGE
SISTERS is Socialist Realism at its most entertaining and satisfying
best.
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Tuesday,
February 3, 2009 The two leading lights
of the Chinese |
Tuesday,
February 10, 2009 Knight Gallery ![]() TBD |
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A Retrospective
featuring Dates: February 20-22, 2009 Charlotte,
NC |
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Every year The Light Factory presents “Meet the Artist,” an event bringing distinguished filmmakers and their work to Charlotte. This year we are delighted to bring the cult favorite, George A. Romero to our city. Schedule of events
Once thought to be an average filmmaker with an affinity
for blood and gore, George A. Romero is today, considered to be a revolutionary
storyteller, credited with changing the entire horror genre. From Dawn
of the Dead, Day of the Dead and Land of the Dead
to Creepshow, Romero perfected the use of populist zombies and
ghouls to make palatable a political subtext on societal issues: corporate
greed, terrorism, class conflict, consumerism, and, with his new film,
the current media/reality/sensationalist frenzy.
Thanks to our sponsors:
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